- See also Jhana 2
What Jhourney say about Jhana 1
- The first jhana is described as a state where a practitioner continuously embraces their direct experience with unconditional delight. It is considered one of four distinct âflavours of friendlinessâ that can be brought to moment-to-moment experience.
- According to the sources, the key characteristics and descriptions of the first jhana include:
Emotional and Physical Qualities
- Primary Emotions: The state is defined by delight, glee, euphoria, and rapture.
- Physical Sensations: It is often more physical than emotional, starting as a warm response to generous intent. It may pervade the upper body and, if not experienced recently, can feel explosive, as if burning off a store of energy.
- Physical Reactions: Some practitioners may experience shaking, getting hot, or crying when entering this state.
The âMapâ of Jhana 1
- The sources provide several metaphors and specific markers to help practitioners locate the experience:
- Location in the Body: It is primarily felt in the head (though sometimes the heart).
- Size: Its source or focus is described as being the size of a pebble.
- Oasis Metaphor: It is compared to âseeing the oasisâ.
- Clubbing Metaphor: It is described as âdancing on MDMAâ.
Mechanics and Transition
- Jhana as Subtraction: From the perspective of âsubtraction,â the first jhana arises when a threshold of mental tension is spotted and released.
- The Phase Change: Moving into jhana involves a âphase shiftâ where the practitioner feels less in control; rather than âdoingâ the jhana, the jhana âdoesâ you. It may feel as though the feeling is âpulling you in,â similar to a fire growing into a bonfire, prompting a desire to sink in or surrender to it.
- Collectedness: Once in the state, attention becomes significantly more stable. While beginners may mind-wander every minute, those in jhana may go several minutes or more between mind-wanderings.
Purpose and Impact
- Place of Refuge: It serves as a refuge from conditioned craving behaviour, as the pleasure of the state actually stems from a reduction in craving.
- Afterglow: The experience typically leaves an afterglow, meaning the impacts of the state continue to be felt even after the meditation session has ended.
- Litmus Test: Effective practice leading toward this state should leave the meditator feeling substantially more relaxed, in a better mood, and more empathic than at the start of their sit.
Putting MCTB and Leigh Bâs âRight Concentrationâ into NotebookLM
Both Daniel Ingram and Leigh Brasington describe the first jhÄna as a foundational altered state of consciousness, though they offer different practical methods for entering it and varying interpretations of its mental factors.
Entering the First JhÄna
According to the sources, the primary prerequisite for the first jhÄna is access concentration, a state where the mind is steady on an object and free from hindrances.
⢠Brasingtonâs Method: Once access concentration is stable (maintained for five to fifteen minutes), the meditator should shift their attention away from the meditation object (such as the breath) to a pleasant physical sensation. Common places to find this pleasure include the hands, a âBuddha smileâ on the face, or the heart centre. By focusing exclusively on the pleasantness of the sensation, the practitioner triggers a positive feedback loop that intensifies into the first jhÄna.
⢠Ingramâs Method: Ingram emphasizes laser-like precision on the meditation object. He suggests that the first jhÄna is reached by developing the ability to stay with a chosen object (like a candle-flame kasina or the breath) for several minutes to an hour until the mind âgrabs onâ to the state.
Defining Characteristics and Factors
The first jhÄna is traditionally characterised by five factors: initial application (vitakka), sustained effort (vicÄra), rapture (pÄŤti), happiness (sukha), and single-pointedness (ekaggatÄ).
⢠Thinking and Examining (Vitakka and VicÄra): Brasington argues that in the original suttas, these terms actually refer to background thinking that has not yet subsided, rather than âinitial and sustained attentionâ. Ingram notes that the first jhÄna is ânarrowâ and requires active effort to sustain, which can feel coarse or annoying as the state matures.
⢠Rapture (PÄŤti) and Happiness (Sukha): PÄŤti is described as an exhilarating physical energy or âglee,â while sukha is the emotional joy or happiness that accompanies it. Ingram notes that pÄŤti can be incredibly intense, sometimes described as âfinger-in-the-electrical-socketâ intense.
The Experience of the State
Both authors use the traditional bath-man simile from the suttas: like a bath-man kneading water into soap flakes until the entire ball is âsuffused with moisture,â the practitioner suffuses and saturates their whole body with rapture and happiness.
⢠Intensity: Brasington stresses that the first jhÄna is not a calm state, but is instead filled with âfrenetic energyâ and an effervescent quality.
⢠Focus: Ingram describes the focus of the first jhÄna as centralized and narrow. If using a visualization, the object appears small, bright, and clear at the centre of attention.
The First âVipassanÄâ JhÄna
Ingram provides an additional framework called the vipassanÄ jhÄnas, which align the stages of insight with the jhÄna states.
⢠The first vipassanÄ jhÄna encompasses the first three stages of insight: Mind and Body, Cause and Effect, and The Three Characteristics.
⢠In this mode, the practitioner investigates the impermanence of the sensations making up the jhÄna factors. This can lead to âhard painâ or physical tensions (known as kriyas), such as a stiff neck or jaw pain, as the mind begins to deconstruct the sense of a solid self.
Common Pitfalls
⢠Jumping Too Soon: Shifting to the pleasant sensation before access concentration is truly stable is the most common reason for failure.
⢠Attachment: The bliss of the first jhÄna can become a âgolden chainâ if the meditator becomes a âjhÄna junkieâ and refuses to investigate the state for insight.
⢠Wired State: The energy of the first jhÄna can leave a practitioner feeling âwiredâ or unable to sleep if practiced late at night.
⢠Breath Changes: It is normal for the breath to become rough or involve gasps during the first jhÄna; Brasington advises ignoring these changes rather than trying to fix the breath.